From the ashes of the classic PMS Syntar comes George Mattson's newest progeny, the Mattson Mini Modular synthesizer. George has taken the wonderful core circuits from his Syntar and used them as the basis of the "Phoenix Series" modules that comprise the foundation of this new modular. To these have been added some powerful and noteworthy new modules, adding additional character and flexibility to the already compelling "phoenix" module set. This unique little modular synth brings some surprising elements to the table as I hope to show in this little overview.
Good Things In Small Packages
Probably the first thing you'll notice is it's format - it's very small, hence the "mini". As the below lineup demonstrates, the formfactor is smaller than any of the other commercially available modulars on the market:
The system itself has a dedicated wooden cabinet designed to hold twelve modules each. The "standard system" is made of two of these cabinets that link together to form a handy carrying case smaller than a toaster oven (11-3/8” x 15") - my teapot is in these images to provide scale:
One thing to note is that, besides being a beautiful piece of woodwork, the cabinet is itself modular and may be connected to others, both vertically and horizontally, to form a system of any size. Here are eight regular two-cabinet systems linked into a "Mattson Monster Modular":
Greater Than The Sum Of Its Parts
All modulars aspire to being something more than merely the sum of their parts, call it character if you will. I'm happy to say the MMM has character in spades. The modules that make up the MMM are unique in their sound as well as their functionality. While an exhaustive scrutiny of each module is beyond this overview, I'll take a moment to speak of some of the stand-outs. (Click module names for a picture in a new window.)
The oscillator "VCO-J" can output square, triangle and saw waveforms simultaneously. What is unique is that it can output octaves of the square and saw simultaneously as well - one octave up for the saw and one or two octaves down for the square. Even in a small system there is a ton of sound to work with, even from a single oscillator.
The Jim Patchell Signature Filter is one of those new circuits I mentioned earlier. The filter, unlike most other 24dB/oct resonant filters, offers simultaneous lowpass, highpass and bandpass outputs. This filter began as a clone of the SSM 2040 but thanks to Jim Patchell and George Mattson is now something much more than that. It is easily one of the most musical filters I have ever heard!
The MMM's sample and hold is another familiar synth module but with some fun twists. It has it's own internal clock if you don't want to waste an LFO or Osc but may be clocked externally as well. A clock output is provided for syncing other modules. There is a built-in adjustable slew generator on its output to add variable smoothing to the signal. Last but by no means least the module can be switched to a Track-and-Hold for some great effects.
Power and MIDI-to-CV conversion on the MMM are handled by one dual-width comprehensive module. Besides the standard Gate and CV out there is also a "Mod" output mapped to Modwheel position. Gating can be multi or single triggered. Adjustable glide can be added to the CV out with either fixed rate or the more unusual fixed time response and this glide can be "normal" or a chromatically-stepped glissando.
Besides the Glide featured in the above mentioned MIDI/CV converter, the MMM features a standard "Glide" module for all your CV slewing needs. Unique to this module is the choice of directional switching, making for a very flexible CV processor.
Like an auto-switching "multiple on steroids", the 4X-1X2 Buffer is an flexible routing system with four inputs, each controlling the sections below it. This handy module can be used in many configurations depending how it's patched - 1X8, 2X4, 3X2&4, etc. Since it is a buffer and not a simple multiple, CV integrity is maintained for exacting applications.
I am currently working on some demos of my MMM for this site but, in the meantime, let me share these with you:
The Mattson Mini Modular debuted at the 2007 Pacific Northwest Synth Meeting. This Quicktime movie shows the prototype (with the older graphics) being run through its paces at the meeting. The Soundtrack is all MMM and was composed and recorded by William H of Insidesynthesis fame.